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Apocalypse Yesterday

Audiobook
1 of 1 copy available
1 of 1 copy available
The zombie apocalypse is over. The humans have won. Life is back to normal. And Rip is bored as hell. It's not much of a life sitting in a call center in the poor town of Spanish Shanty, Florida, answering emails like a drone and listening to customer complaints.Rip was ruler of a tiny kingdom in the Lazy River waterpark, killing zombies by day and making passionate love at night. He misses the danger, the camaraderie, and the blistering love he once knew. He longs to feel Santana—his trusty machete—in his hand and Davia—the fiercest woman alive—in his arms once again. He can still picture it—life on the razor's edge—and he would do anything to get that feeling back.But what if Rip could get it back? He's totally desperate—and not normal desperate, more like ready-to-restart-the-apocalypse desperate. Condemning humanity to a repeat merely for an adrenaline rush is probably not a good idea. But life at the call center is nothing more than a slow death, and Rip might not be able to go on without trying to find out.
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    • Publisher's Weekly

      August 3, 2020
      Adams (Ember) misfires with this satirical thriller in which a disease has transformed people into the walking dead. Rip, a customer service representative for an online retailer, fights the zombie menace with the help of a machete he’s named Santana, but his battles for survival are dull. Adams doesn’t make buy-in easy with silly scenes featuring celebrities, such as the one in which Jack Nicholson arrives at the Oscars to receive “the Academy Honorary Award” and tears out Ryan Seacrest’s throat. The on-screen death-by-zombie of CNN host Anderson Cooper, who continues to speak as his limbs are torn off, adds to the book’s cartoonish flavor. And the portrayal of President Donald Trump’s response to the crisis (“The people working on this, you wouldn’t believe. Just the best people”), paralleling his administration’s response to Covid-19, comes across as heavy-handed. The gory violence becomes tedious, and none of the carnage, such as the destruction of the zombie-infested island of Jamaica by nuclear weapons, makes an emotional impact. No doubt there will be a good zombie parody that effectively satirizes the current moment, but this isn’t it. Agent: Paul Lucas, Janklow & Nesbit Assoc.

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  • OverDrive Listen audiobook

Languages

  • English

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This project was made possible in part by the Institute of Museum and Library Services. Funding for additional materials was made possible by a grant from the New Hampshire Humanities and the National Endowment for the Humanities.