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The Magician King

Audiobook
1 of 2 copies available
1 of 2 copies available
Return to Fillory in the riveting sequel to The New York Times bestseller and literary phenomenon of 2009—The Magicians.

The Magicians was praised as a triumph by readers and critics of both mainstream and fantasy literature. Now Grossman takes us back to Fillory, where the Brakebills graduates have fled the sorrows of the mundane world, only to face terrifying new challenges.
Quentin and his friends are now the kings and queens of Fillory, but the days and nights of royal luxury are starting to pall. After a morning hunt takes a sinister turn, Quentin and his old friend Julia charter a magical sailing ship and set out on an errand to the wild outer reaches of their kingdom. Their pleasure cruise becomes an adventure when the two are unceremoniously dumped back into the last place Quentin ever wants to see: his parent's house in Chesterton, Massachusetts. And only the black, twisted magic that Julia learned on the streets can save them. 
THE MAGICIAN KING is a grand voyage into the dark, glittering heart of magic, an epic quest for the Harry Potter generation. It also introduces a powerful new voice, that of Julia, whose angry genius is thrilling. Once again Grossman proves that he is the modern heir to C.S. Lewis, and the cutting edge of literary fantasy.
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    • Publisher's Weekly

      July 25, 2011
      Grossman's stylish sequel to The Magicians smoothly fuses adventure fantasy, magic realism, and mythic fiction. It's been two years since Quentin, Eliot, Janet, and Julia have become kings and queens of the magical utopia of Fillory, but Quentin is becoming bored with his seemingly idyllic existence. Spurred on by a dark prophecy of the "Seeing Hare," "one of the Unique Beasts of Fillory," he and Julia decide to embark on a trip to a faraway island, but their voyage turns out to be more perilous than expected and they end up back on Earth. With no apparent means to return to their home at Castle Whitespire, they must somehow find a way back to Fillory and save their realm from imminent destruction. Grossman effortlessly injects innumerable pop culture and literary references (Monty Python, Harry Potter, Pink Floyd, the Lorax, the Teletubbies, etc.) into the fantastical storyline. Mainstream fiction and fantasy fans alike will find this fairy tale for adults rewarding. 10-city author tour.

    • Publisher's Weekly

      September 26, 2011
      In this sequel to Grossman’s bestselling The Magicians, sorcerer Quentin Coldwater and his pals, Janet, Julia, and Eliot, are now kings and queens of Fillory, that magical land they once thought was nothing more than the stuff of storybooks. Just when Quentin’s royal duties are starting to get a little dull, he and Janet are accidentally transported back to Earth. And getting back to Fillory may prove more difficult than they initially imagined. Mark Bramhall—who read the previous installment—is back, picking up where he left off with breathy, sonorous narration that will delight listeners. However, the voices Bramhall creates for Grossman’s cast of characters could be more distinct and varied. A Viking hardcover.

    • AudioFile Magazine
      Mark Bramhall's gruff narration suits this fantasy, the sequel to THE MAGICIANS. Quentin is one of the kings of Fillory, but when an adventure goes awry, he is unceremoniously returned to Earth. His attempt to find his way back is wound around the tale of how Julia found training in the brutal magical underground when she was unable to train in magic with Quentin and his friends. Bramhall's characterizations animate both the light and dark sides of the characters. His judicious use of accents and his empathy for the characters enhance their relationships and intensify their adventures. Familiarity with THE MAGICIANS will contribute to the full enjoyment of this book. J.E.M. Winner of AudioFile Earphones Award (c) AudioFile 2011, Portland, Maine

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This project was made possible in part by the Institute of Museum and Library Services. Funding for additional materials was made possible by a grant from the New Hampshire Humanities and the National Endowment for the Humanities.