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Capital Punishment

Audiobook
1 of 1 copy available
1 of 1 copy available
Alyshia D'Cruz, daughter of Indian tycoon Frank D'Cruz, has grown up in London and Mumbai wanting for nothing. But one night, after a boozy evening out, she gets in the wrong cab home. Charles Boxer, ex-army, ex-police, has found his niche in private security. His specialty: kidnap and recovery. When D'Cruz hires Boxer to find Alyshia, Boxer knows Frank's crooked business empire has made him plenty of enemies. MI6 officers in India follow Boxer's leads and soon it seems more lives than Alyshia's are at stake, as the trail crosses paths with a terrorist plot on British soil. To save Alyshia, Boxer must dodge religious fanatics, Indian mobsters, and London's homegrown crime lords.
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    • Publisher's Weekly

      Starred review from December 24, 2012
      Set in London, this energetic, thoughtful first in a new series from Gold Dagger Award–winner Wilson (A Small Death in Lisbon) introduces Charles Boxer, a former cop turned private security professional specializing in kidnapping. When 25-year-old Alyshia D’Cruz, the daughter of a self-made Indian billionaire, is kidnapped after an evening out with her co-workers, Boxer is charged with getting Alyshia back alive. The kidnapper, who insists that the crime “is not about money,” urges the family not to involve the press or the police. That a lot more than money, or Alyshia’s safety, is at stake becomes clear as the plot slowly, impressively expands to include an enormous cast of characters and a broad array of themes—global finance, the inequality of wealth, Islamic fundamentalism, counterterrorism. While at times the story’s immensity threatens to overwhelm the appealing Boxer, who is supremely competent yet reassuringly flawed, fans of intelligent thrillers will eagerly await the next installment. Agent: Anthony Sheil, Aitken Alexander Associates (U.K.).

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  • English

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This project was made possible in part by the Institute of Museum and Library Services. Funding for additional materials was made possible by a grant from the New Hampshire Humanities and the National Endowment for the Humanities.